Notes from the Maestro | Double Talk
Music and theater have been intertwined dating back at the very least to the ancient Greeks. Because of music’s particular ability to create intent and enhance drama, composers have often been lured to the creative possibilities in composing incidental music. Film scores provide much the same purpose. Shakespeare remains arguably the most popular playwright whose works have been accompanied by the music of great composers, including three selections on the April 21st Indianapolis Chamber Orchestra Concert. Erich Korngold is perhaps most well known for his spectacular film scores, but his brilliant incidental music to Much Ado About Nothing encapsulates his innate gift in conveying the intrigue, mistaken identity, and especially humor of Shakespeare’s great comedy.
|Nicolai Akimov’s 1932 production of Hamlet|
Shostakovich was only 25 when he composed music to accompany Nicolai Akimov’s 1932 production of Hamlet. Often abounding in sarcasm and satire, it contains many unique characteristics that would mark the composer’s later scores. Considerably lighter in character is the congenial music of Welsh composer Edward German, earning him a reputation as the successor to Arthur Sullivan in English light opera.
Saturday, April 21, 2017 – 7:30 pm
Indianapolis Chamber Orchestra’s Double Talk
Gary Karr and David Murray, Double Bass
Schrott Center for the Arts, Butler Arts Center, Indianapolis, INRepertoire:
Korngold Much Ado About Nothing Suite, Op. 11
Bottesini Passione Amorosa
German Three Dances from Henry VIII
Shostakovich Hamlet: Incidental Music, Op. 32aTickets: $35 adults; $12 students; Group Discounts Available
FMI: 317-940-9607 or www.icomusic.org